The Catastrophic Grief of De Quincey's 'Lost Girls': The Subversive Females of Confessions and Suspiria
DOI:
https://doi.org/10.25071/2369-7326.40257Abstract
Depicted as hallucinations, hauntings, ghosts and dreams, the females of De Quincey's most controversial prose texts function as proto-feminist entities, where they usurp patriarchal linguistic structures by creating entirely new language systems. De Quincey's delirious dream sequences present a trifecta of female emotive power: analyzed through the feminist lens of de Beauvoir's "The Second Sex," this essay demonstrates how De Quincey's 'lost girls' exceed Gothic supernatural conventions to control the agency of a female-dominated dreamscape.References
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